Performance by Camille Lacroix, with Marie Bénédicte Cazeneuve and Sig Valax
Inspired by a text by Marcel Duchamp, this performance features a gallery of living, loud, low-energy ready-mades.
Presented on pedestals, the bodies of three performers are coupled with sound devices designed to recycle their "wasted energies". Sound reveals these unruly energies, which escape the control of their "performers".
By extending the issue of energy waste to the human body, this performance humorously questions our fantasies of high performance and perpetual intensity.
Distribution :
Design, composition, staging: Camille Lacroix
Performers: Marie-Bénédicte Cazeneuve, Camille Lacroix, Sig Valax
Partners:
Residency hosting: La Muse en Circuit - CNCM, Ici l'Onde - CNCM, the GMEM - CNCM, the Ménagerie de Verre, the CENTQUATRE - Paris, the Research Scene - ENS Paris-Saclay.
Co-productions: Here the Wave - CNCM, The Muse in Circuit - CNCM
With the support of: House of Contemporary Music (MMC), Beaumarchais SACD Association, DRAC Ile de France
Born in 1983
Based in Paris
A composer and sound artist, her work spans the fields of music, visual arts, and performance. Since 2022, she has been working on a project inspired by a text by Marcel Duchamp, "Transformer intended to utilize small, wasted energies," and currently takes the form of a series of sound performances. As part of this performative work, she designs sound and sculptural devices that transform bodies into "living, loud-speaking, low-energy-performance ready-mades." She also composes acousmatic pieces that have been performed at numerous festivals in France and abroad.
Born in 1980 (FR)
Based in Paris
An actress and performer, she began her career working in film, notably under the direction of Cécile Bicler and Hervé Coqueret, and appeared in feature films. She was a performer and artistic collaborator for Louise Lévêque's company. She performed under the direction of Xavier Deranlot, Aurore Magnier, Mélissa Barbaud, Clarice Plasteig, and voiced the texts of Elodie Issartel. She experimented with dance with choreographer David Wampach. She collaborated with artists Cécile Bicler, Pierre Cassou-Noguès, Camille Lacroix, Cécile Paris, and Gwenola Wagon. She created her first carte blanche in July 2025.
Born in 1966
Based in Paris
She has been exploring the electrical tensions of sound for several decades. A singular figure in the experimental scene, she sculpts in a vibrant manner from analog synthesizers, modular synthesizers and the Persephone. Her music, raw and luminous, is born from the tactile manipulation of machines: feedback, distortions, glitches and saturated grains intermingle in moving forms. She cultivates a lively approach to improvisation and collaborates closely with dance and the performing arts, notably alongside Anna Gaïotti, Camille Lacroix and Aniara Rodado. She pursues a transversal work between performance and ensembles such as Sauges, Seuil Optique or Vierge Noire.