Cello tone by Melody Giron; recording by Jesse Lewis at Immersive Music Project, Boston; mixing by Federico Chiari; composition by Cally Spooner.
43 min 59 sec
This episode of Dead Time, a series of works begun in 2018, was conceived for the ramp that ran from the assembly lines of the Fiat factory in Turin to the rooftop test track. The architecture, a resonance chamber, brings the sounds of the site into the sound piece. Cellist Melody Giron performs pre-concert tonalization exercises, starting with the prelude to Bach's Cello Suite No. 1 in G. Over and over again, without ever completing the piece. It's the preparation, not the concert, that makes the event. A beep sounds at regular intervals, alluding to the confusion between free time and productive time. At Chandoline, the piece is broadcast throughout the power station.
Born in 1983
Based in Turin
Trained in dance, theater, and philosophy, Cally Spooner develops a transdisciplinary body of work that blends performance, multimedia installations, writing, and film. Her work interrogates the mechanisms of language, power, and emotion in a world saturated by technologies and production logics. She often uses formats such as repetition, staged work, and slowed-down temporality to reveal the tensions between bodies, discourses, and institutions.