The installation transposes to a monumental scale a musical device developed by Pierre Bastien for his stage performances. Inspired by the vertical shape of Chandoline's ventilation columns, it resembles a mechanical organ, where tubes of varying lengths produce rotating sounds, evoking ascending melodies. Unlike the concert version, it uses multiple wind tunnels to generate complex chords and an expanded sound palette. The shadows cast by the long pipes in the vertical shaft add an immersive visual dimension. The sound, naturally discreet, is subtly amplified to harmonize with the environment.
Born 1953
Based in Rotterdam
From an early age, Pierre Bastien built instruments from everyday objects, such as metronomes and cymbals. In 1986, he founded the Mecanium orchestra, composed of machines made from Meccano parts and salvaged motors, playing traditional instruments. Since 2000, Pierre Bastien has concentrated on creating more abstract sound sculptures. His machines, part orchestra, part score, allow performers to explore different combinations, tempos and equalizations, resulting in a unique performance every time. He has released over 30 albums and continues to perform internationally.