When the artist received a 20-tonne block of marble, she decided not to sculpt it, but to release it at sea. Loaded onto a boat, the block followed an itinerary passing through Italy, Malta, Tunisia and Libya, before being submerged, in May 2021. The action aimed to use this journey to address historical and contemporary narratives, such as migration routes, maritime borders and underwater archaeological remains. The Journey includes songs and voices from local musicians, fishermen and activists, interweaving the purr of engines, the swirl of the sea and the echoes of marine life, a sensory experience rather than mere documentation.
Born in 1978
Based in Brussels
Rossella Biscotti combines sculpture, video, performance and installation. Her work explores individual and collective narratives, often in relation to recent political and social events. Through in-depth research, she questions mechanisms of power and institutional structures, as in her installation based on the Autonomia Operaia trial in Italy (Il Processo, 2010-2012), or her sound work based on dreams collected in a women's prison in Venice (I dreamt that you changed into a cat... gatto... ha ha ha, 2013).